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sunnuntai 24. heinäkuuta 2011

Julie Anne Peters: Luna

Julie Anne Peters: Luna


Luna is a beautiful and quite dark novel for young adults. Luna is the name the main character Regan's transgender sister has chosen for herself, "Appropriate, wouldn't you say? A girl who can only be seen by moonlight?".

Regan as a characters seems to work only as a way of telling the story of a transgender person without going too close, without using their point of view. I think the narrative decision works quite well, specially since this is a novel meant for young adults. Luna's feelings are almost too dark and strong for a YA book even when they are narrated through another character. I don't know if I'm being too protective, but I wouldn't recommend this book to my children until they were 17 or 18 years old, Luna's suicidal thoughts and the pressure a young transgender girl faces in everyday life come through so strongly. I'm not saying young people don't know about pain or that the pain transgender people feel should somehow specially be kept away from the eyes of children. I'm saying that this book left me, a 23-year-old slightly genderqueer person with aloving and supporting family, feeling that the world is such a bad place it is wonder more people don't commit suicide. And that's not a feeling I want to pass on to (my future, possible) children. Of course books like this are very important for suicidal teens who find comfort in knowing other (if fictional) characters feel the way they do.

The novel itself is very good. It is well written, the characters feel real and they change during the story. Regan was left wuite flat, but this book was about Luna, who is portrayed as mysterious and complex. The feelings of the characters, their hopelessness seem real, the reader can feel them. I haven't read any YA books handling gende identity before, so I can't compare this to those, but it is definitely a good YA book. I think it is also a good novel, and that adult readers should read it, too.

GLBT Challenge, Gender Identity and Expression Challenge.

sunnuntai 3. huhtikuuta 2011

Jackie Kay: Trumpet

Jackie Kay: Trumpet


This is the first novel I have read by Kay, but after this, I'm definitely going to search all the nearby libraries for more. A touching, powerful novel, it's no wonder it has won the Guardian Fiction Prize. Kay is a Scottish author, who has herself been adopted and has lived as a coloured person in the UK. Well, she still does, but what I meant to say is that she seems to have taken many of the themes of this book from her own life.

Trumpet is mostly set in London in 1997. It has several narrators, and they all think about their relationship with Joss Moody, a jazz trumpeter. Moody has been living all his adul life as a man, but was born as a girl in Scotland. His parents (as Kay's in real life) were a black man and a white woman, and he identifies as a Scott, but seems to also have passed on to his son a certain feeling of non-belonging because of their colour of skin. The novel handles the "race" issue mainly through the narration of Moody's son, Colman. He is adopted, but apparently his biological parents were also a black person and a white person. For Colman, the prejudiges of people seem to act as a reason to be angry at the world.

Gender and gender identity are the main themes of the book. The novel starts when Joss Moody has died, and his body is discovered to be female by a doctor and an undertaker. Moody has been a popular musician, so the issue becomes widely discussed in the media. There is a book being written, too many reporters for Moody's wife to stay at home, and visits to old school friends who knew Moody as a girl.

The characters each take their own view of Moody, his life and his gender. His wife, Millie Moody, mostly tells the story of their past; how they met, fell in love, lived their lives together. To her, Joss Moody just had a body that was in some ways different from other men's bodies. Perhaps the only thing I would critizise about the novel is the way Millie and Joss's relationship is portrayed as perfect. On the other hand, the novel handles so much negative emotions, that the happines of their relationship is needed to balance it out. Millie's narration is beautiful and her saddness feels very real.

Millie and Joss's son, Coleman doesn't know about his father's sex before the funeral director tells him. Colmans narration is full of memories, but usually they appear to him in a different light than before his father's death. He has (as many boys, I believe) partly constructed his masculinity, manliness, on the image of his father as a man, and the revelation that he was born as a girl, isn't an easy one to handle. Colman is in dialogue with himself, his memories, a reporter, and the image of his father, and tries to find his place as a black man, son of Joss Moody, in the society.

An interesting thing to a foreign reader was how the use of pronouns could betray so much of how people thought. When speaking about Joss, Millie and Colman say "he", but the reporter (who is portrayed as the "evil person" in the novel) says "she". This would be very hard to translate into Finnish, because we only have one pronoun for all humans, it is not gender specific. The repetition of words "man" and "woman" would seem comical, it would make the text very pointing and stiff.

I loved this novel. It was beautiful, came close to the reader emotionally and introduced several characters whose thoughts I really wanted to read, and could.

British Book Challenge: The novel was set in Britain, London and Scotland mostly. I think the society it described was more Western than only British, the attitudes towards sex and gender seem to me similar to those in the Finnish society in the late 1990s.

GLBT Challenge: Gender was definitely a major theme in this novel. In the Wikipedia article of Trumpet the writer suggests that "Joss Moody's trumpet serves as an equalizer of identity. The character Joss Moody is not a man or a woman, or a husband or a father. He is a trumpet player. The title of the novel gives his identity the opportunity to be that simple." (So sorry for refering to Wikipedia, but that caught my eye.) I disagree with the writer, and because we are talking about a fictional character, I feel I can, as a reader, make interpretations of his gender identity. Joss Moody definitely wanted to "pass" as a man. Nothing in the book suggests that he questioned his identity as a man, or that he practiced gender fuck/blending/bending/call-it-what-you-will. It might be due to the society he lived in, but in the novel his wife states that he never did anything feminine expect comb her hair. (I will find the excact quote if someone insists.) Although femininity and masculinity do not equal to woman and man, Joss Moody lived his life as a man, and because of that I disagree with the honourable Wikipedia writer and call Joss Moody a man.

torstai 24. maaliskuuta 2011

Jeffrey Eugenides: Middlesex

Jeffrey Eugenides: Middlesex


Middlesex tells the family and personal history of an intersexual man, Cal. His grandparents moved from Bursa (situated in modern-day Turkey) to the USA, and he has been raised as a Greek-American. The story has different time levels, the level of Cal in Europe, dating a pretty girl, and the story he tells about his grandparents, his parents and himself. The novel has one, first person narrator, Cal, but when he acts as a narrator he seems to either take liberties on imagining things or he has some of the powers of an all-knowing narrator. He describes the feelings and thoughts of many other people, and there is no "realistic" explanation on how he would know these things.

I was surprised on how much the story is about the previous generations, Desdemona and Lefty especially. They are sister and brother, who have to move to the USA because of the Turkish invasion of their home area. Their relationship is from the beginning of the book described as erotic; they try to suppress their feelings, but when they have to start life all over, it gives them the chance to become a couple and marry. This is crucial for the story of Cal, because the gene that makes him intersexual only lives on because of the incest. The story of Lefty and Desdemona is a story of immigration, religion, the depression and the life of one minority in the US.

The first part of the story left a strong feeling that silkworm eggs are a motif in the story. They represent the old life for Desdemona, a life where she was valued, but they might also be interpreted to represent the old and new life of Cal; he is brought up as a girl, but after discovering his intersexuality he wants to live as a boy and a man. He is much more valued in his new life, by himself and by others.

After telling the story of his grandparents, Cal moves fast through the story of his parents, and then to his own childhood. This part of the novel felt much less like a fairy tale, it was clearly personal and situated in the 20th century. This was the part of the book I enjoyed the most; reading about the personal experiences of the narrator, about the process of growing up and the role of gender and gender identity in his life.

All in all, the novel was very enjoyable, easy to read, easy to get lost in. I'm not sure how I feel about the decision to tell the stories of two different generations in the same novel; on one hand it gives Cal's character depth any other narrative solution might not have given, on the other it leaves the reader to deal with the obvious contrast of the two worlds.

GLBT Challenge: The novel is the first one I have read in which the protagonist is intersexual. The book dealt more with the history of his family than how he discovered his gender identity, but it still managed to tell his personal story well.

torstai 17. helmikuuta 2011

George Orwell: Animal Farm

George Orwell: Animal Farm - A Fairy Story

George Orwell was a British author, who lived from 1903 till 1950. Animal Farm was published in 1945, and it is famous for its slogan "All animals are equal, but some animals are more equal than others". Orwell himself has said the book to be "contre Stalin", and in the introduction by Christopher Hitchens (in the 2010 edition), he links Old Major with Karl Marx, Farmer Jones with the Czar, Napoleon with Stalin, Snowball with Trotsky, Boxer with the working class and Moses the raven with the Russian Orthodox Church.

The book is a classic, but I have to admit that this is the first time I have read it. I had heard much good about Animal Farm, and it all seems to be true. The book is easy to understand, but has many levels. It could be read as a children's story if one isn't at all aware of the world history, but it would make an oddly depressing and violent fairy tale. An adult, educated (and I mean educated as "knowing something about communism, the USSR and Stalin") reader knows from the very first chapter that all the brilliant, ethical ideas will be turned into something evil and oppressing, and it makes the story haunting. I don't have that much knowledge in history, but still it was easy to connect the turns of the plot to historical events. Hitchens' introduction was helpful, although a little part of me wishes that I would have read the book itself before the introduction, and see how well I could have made the connections to history without Hitchens' help.

Nevertheless, the reading experience was wonderful, I felt joy, anxiety, sadness and the pull of the stoy took me with it. The humour is of course fantastic, but as I don't know too much about satire, I won't to discuss it further. I'll just say that I laughed at the irony and felt sorry for the characters at the same time. Animal Farm is a very short book for a classic (I'm thinking about "War and Peace" and "Ulysses") so if you feel like you want to educated yourself a little bit, this is a good place to start. It is also hilarious, clever and frightening. A book I could recommend to many different audiences.

British Book Challenge: I don't know how British anti-communist satire is. I would guess it forms a greater part of the British literary tradition than it does of the Finnish, as we had to be very careful not to anger our neighbourg. As the book reflects a communist society and Britain has never been communist, I don't really link this book to Great Britain. I find it an universal fairy tale.

Back to the Classics Challenge: Animal Farm is my "Banned book" for this challenge. Orwell had trouble finding a publisher for Animal Farm, beacause of the alliance of Great Britain, the USA and the USSR. After its publication American military authorities in Europe "rounded up all the copies of Animal Farm they could find and turned them over to the Red Army to be burned" (Hitchens in the introduction).  The book was banned in the USSR for obvious reasons. Hitchens also writes: "[i]n the Islamic world, many countrues continue to ban Animal Farm" and states that it is not because the book has pig-characters, but because of the message of the book.

lauantai 5. helmikuuta 2011

Stephen Fry: The Stars' Tennis Balls



Stephen Fry: The Stars' Tennis Balls

Stephen Fry is a British comedien, actor, author and much more. I have watched some of his tv programmes, my favourite being QI, and listened to his podgrammes. I admire Fry very much, but I was actually a bit disappointed in the first fiction book of his I read, The Liar. But I think the problem was I expected something very different that what the book was.

The main character in The Stars' Tennis Balls is Ned Maddstone, a young, confident/selfish, handsome and popular son of an MP. He is madly in love with his girlfriend, who is madly in love with him, he has been to the most expensive schools in Britain, and he is perfect in many ways. The novel is very much about the plot, so I'm not sure what more I can say about it. The plot grabs you from the very first chapter, so revealing anything might take away part of the reading experience.

The themes I think I found in the book were the evil in human beings and revenge. Is it right to revenge for great injustices? How far can you go? Should people pay for things they did when they were young? If not, how can the person the injustices has concerned move on with his/her life?

The British Book Challenge: If I was asked to name the most British person alive I knew, I think I would say Stephen Fry. He is intelligent, has high education, is the master of the British humour, and I would be shocked to find out he doesn't drink tea. The Star's Tennis Balls is set mostly in Britain, and tells about the British upper class. The observations of it are told through Ashley Barson-Garland, a boy who is from a lower class and tries to blend in among the public school boys. I certainly think there is something very British about this novel.

maanantai 27. joulukuuta 2010

A to Ö Challenge







A to Z Challenge or A to Ö Challenge to us Finns

What: The idea is to read a book for every letter in the alphabeth. I choose to do this by authors' surnames. I might bend the rules a little if a letter is hard, and count an author that has the letter in his or her surname, instead of starting with it.
When: Year 2011
Why: It just sounds so fun. I will probably run into new authors.
My Goal: My goal is to read 29 books, with each of the author's surname beginning with a different letter. In the Finnish alphabeth we have 29 letters, that's why I'm doing 29 instead of 26. I will count re-reads for this challenge.
Reviews: Probably none here.
Prize: If I complete this, I will get a new green plant for my window sill.
List: I won't make a list beforehand, but update as I go along.

A - Armstrong, Jeannette: Slash (~25.3.)
B - Beckett. Samuel: Endgame (~6.3.)
C -
D - Donoghue, Emma: Life Mask (~15.1.)
E - Eugenides, Jeffrey: Middlesex (~24.2.)
F - Fry, Stephen: The Stars' Tennis Balls (23.1.)
G - Guène, Faïza: Hällä väliä huomisella (Kiffe kiffe demain) (~13.2.)
H - Haddon, Mark: The Curious Incident of the Dog in the Night-Time (3.2.)
I -
J -
K - Kay, Jackie: Trumpet (~5.3.)
L - Lukkarila, Päivä: Koitetaan kestää, Nanna (~1.3.)
M -
N - Niemi, Marjo: Miten niin valo (~8.6.)
O - Orwell, George: Animal Farm (17.2.)
P - Peters, Julie Anne: Luna (30.7.)
Q -
R - Reynolds, Alastair: Ilmestysten avaruus (Revelation Space) (~18.7.)
S - Snellman, Anja: Parvekejumalat (28.1.)
T - Turunen, Markku: Juuston pimeä puoli (9.1.)
U -
V - Verronen, Maarit: Karsintavaihe (31.1.)
W - Walker, Alice: The Color Purple (~28.3.)
X -
Y -
Z -
Å -
Ä -
Ö -